I have a shit ton of 7"s. This is simply an excuse to get off my lazy 21st Century ass and make them more easily listened to as 1's & 0's. I then share. It's a symbiotic relationship. I may even toss in an occasional lp or something. If it's your OOP record and you don't want it posted, Just let me know. I'll gladly take it down. I'm easy.
Thursday, November 30, 2017
Or Murgatroid. Your Choice
Heavens to Betsy.
These Monsters are Real (1993)
Two singles.
Two People.
Eight songs
Direction... (1994)
Riot Grrrls
Pre-Sleater-Kinney
Make your own decisions
Sunday, November 26, 2017
Ladies Night
So I've been putting off going to the practice space and recording the whole weekend. The last time the thing I started wasn't working for me. So I've avoided going back.
Now, I've decided to scrap that shit for now and have a different tack to try. I'm fomenting a plan even now. I have no idea what it will be, but it beats sitting around the house.
Head Cheese (1981)
So this was a band from the city of Brotherly Love, Philadelphia, PA. It's a bit arty, but still New Wave from this trio of ladies. Not exactly what you might initially expect from the picture on the back, but then they did also call themselves "Head Cheese" which is a food stuff that only my grandfather could love. (Though, I might be more inclined to give it another chance now. Cheek meat is pretty fucking tasty. It's just the aspic that kind of creeps me out.)
The one claim to fame that this band has is that one member went on to have a couple of minor mid-80's hits with the group Book of Love starting with "I Touch Roses" in 1986. I saw them around then too when they opened for Depeche Mode at the Orpheum Theater in Boston. As I remember the stuck up snooty little fuck I was back then didn't enjoy the show.
P.U.N.K. Girl (1993)
Fifth single on Sarah Records for these popsters aptly called Heavenly. A pair of incredibly catchy and cheerful little numbers about girls by this female fronted quintet. I'm a sucker for this. If only the whole of the Sarah catalogue had more of this I'd be much more inclined to spend more time and money tracking down their releases.
This is the bees knees and quite catchy toe tap worthy so long as you don't pay close attention to the rather sad lyrics to "Hearts and Crosses". They're a bit of a downer.
Thursday, November 23, 2017
Back Down Under and Slightly to the Right
The Debut 12" by Headless Chickens
I got nothing.
Just enjoy. It's on Flying Nun.
That should be enough to go on.
Monday, November 20, 2017
Today's Adventures in Difficult Listening
A difficult listening post.
Haven't had one of those in a bit now have we.
At least this is pretty damn funny...
Now We Are Six (1986)
This band consists of two fine upstanding gentleman known to the record buying public as Mr. Anus & Mr. Horribly Charred Infant.
We all have regrets. One of mine is that I didn't pull the trigger fast enough to purchase the first Happy Flowers single with "Mom, I gave the Cat Some Acid" because it's still one of the things that make me giggle uncontrollably whenever I listen to it.
Just tickles me pink.
Alas, I was too late for that first gem, but did manage to snag the follow up. This one. It has such lovely little toe tappers as "Mom and Dad Like the Baby More Than Me" and "Daddy Melted" which unfold slowly and painfully over a bed of excruciating noise. Just like spending time with your own family.
Only this is actually funny along with being painful.
At least I did get a very sweet hand written poem with my copy of this gem which I can only assume is a one of a kind piece of art that will not increase in value anywhere in the world
except my heart:
Excuse me a sec. I may cry. Too much beauty....
Meanwhile let's take a moment to remember that difficult listening comes in many forms
So here's Hardattack.
It's sometimes billed as a "rare US punk" record.
I'm less convinced.
First off the b-side "Me and You" is some kind of extra shitty wacky white guy reggae concoction that generally causes me to bruise a shin or something scrambling for the "next track" button.
The band sounds like approaching middle aged guys trying to catch up with the latest sounds of 1981 so they can regain some kind of relevance. (which I say from a comfortable middle age myself as someone who was never relevant to begin with)
which leads us to the second thing
The better side is the A-side "Sick and Tired of my Friends"
(and presumably why some optimistic and perhaps slightly delusional soul thinks that this single should command a minimum of fifty five US dollars on Discogs. Which is itself an improvement on the whopping hundred previously offered copy. You can ask a million, but there has to be takers....)
It's a relatively fast number with a beat and a certain New Wave bent, a bit of a misanthropic slant lyrically.
And features the inimitable punk rock guitar stylings of guest artist Jorma Kaukonen who approaches this old person New Wave/Punk thing like he's playing in a Blue Oyster Cult cover band. (which I also say as a fan of B.O.C. "Secret Treaties" gets a fair amount of play around these parts.
But in this case context matters.)
The whole aging hippie who was in Jefferson Airplane/Hot Tuna thing kind of kills that "punk rock" vibe for me. But I'm snootier than most.
Punk rock was invented because of people like this. To spite and despite them. It was my generation's thing. Fuck off, poser.
Fucking Baby Boomers ruin fucking everything.
That ranted, I mean, it's still probably not the worst record ever made in this vein at the time, but it's far from the top.
At least now you can save your fifty five dollars for something better.
Like tacos.
Go buy yourself some tacos.
Thursday, November 16, 2017
Round on Both Ends and Hi in the Middle
I have no time or patience for this right now, but time and progress must march forward...
Two items from the state of Ohio.
I think I've made myself pretty clear on that previously.
Circle A Indicator (1997)
Harriet the Spy.
Emo-ish band from Kent, Ohio.
I don't hold it against them.
They probably need a hug anyway.
That wasn't a haiku.
They are defunct
and haven't even looked at their FB page in a couple of years
I Keep a Close Watch (1978)
Nearly twenty years previous and nearly as emotional Harvey Gold released this tidbit on Clone Records. He's best known for being in Akron legends Tin Huey.
It's a cover of a really lovely John Cale tune that is easily as good as any of a million overly covered tunes you can name.
The other side is a bit stranger.
There's a bridge where the lyrics are:
...Billy get off the toilet
be a singer (x3)
just like your father..."
You can take that as a recommendation.
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