My sleeping schedule is all messed up

Went out of town for a week and had to flip my schedule to normal people time now I'm in some weird twilight sleep where I'm neither completely night nor day and awake when I really shouldn't be. It's going to take weeks for me to sort this shit out.

In the meantime here's some oddities to wet your sonic whistle

Daddy LoLo (1958)

Yeah, so it's kind of hard to figure out what was going on here. This single released by Ganim's Asia Minors was the product of Charles Ganimian, and Armenian-American musician and virtuoso oud player whose parents had emigrated from Turkey in the early 20's

Here he applies his heritage and oud playing to making a novelty rock and roll song.
It works.

I Wonder Why (1967)

Here's Utah. 

At least that's what the intertubes says, and I for one, am inclined to just go ahead and trust it on that.

So imagine if you will that you are a young hip garage band from Provo, Utah and you've got a sweet raw garage fuzz number and something important to say to the world, but you don't trust that any radio station that might play your record will choose the song you want to share with the world. 

What do you do?

If you're the Gents the solution is to put a version of Beethoven's "Moonlight Sonata" as the flip to the fuzz number. Ain't nobody going to play that shit.

(Or it could be that they only had the one song. Either is plausible)

That's Your Problem (1966)

A pleasant enough 60's garage number foisted upon an unsuspecting teen audience by the production factory at Bang records under the auspices of songwriter Jerry Ragovoy. This was in the days when there were still professional songwriters who would cobble together a track with studio musicians and throw it out to the radio stations like so much sonic chum. If somebody picked it up and it started gaining some traction, they'd quickly assemble a group of long haired youth to go out and be that group for as long as the momentum lasted. Bang had a few of these faux teen groups ( the Strangeloves being probably their most famous product)

Which isn't to say that this isn't a nice track. It is. It's a professional product and nicely done. Jerry knew what he was doing and his intended audience. That it was the product of a white collar dude in his 30's for a rebellious teenage market is just icing on the proverbial cake.

It's almost weirdly reversely subversive. The revolution will not be televised, but it will be packaged and sold back to you wholesale.

Have an issue with that and your delicate sense of authenticity?

As the song goes:

"That's your problem, it ain't mine..."