I don't even know anymore
Pre-Millenium pop from Houston named after a dead shopping mall.
Do I like this.
Yes. That's why I posted it.
I have a shit ton of 7"s. This is simply an excuse to get off my lazy 21st Century ass and make them more easily listened to as 1's & 0's. I then share. It's a symbiotic relationship. I may even toss in an occasional lp or something. If it's your OOP record and you don't want it posted, Just let me know. I'll gladly take it down. I'm easy.
I don't even know anymore
Pre-Millenium pop from Houston named after a dead shopping mall.
Do I like this.
Yes. That's why I posted it.
Compilation day
Still behind...

In Their Eyes : 90s Teen Bands vs. 80s Teen Movies (1998)
As usual tracklist on Discogs because I'm too lazy to type that shit out.
Need to shower and shave for work
As near as I can tell this lovely little pop group hailed from Brooklyn. That's about all.
Yeah, so I wasn't paying attention and missed a day.
Now it's the start of my work week.
Do your own homework
When You Land Here, It's Time to Return (1997)
Flake Music.
They'd rechristen themselves the Shins shortly afterward.
The rest is history.
Yep.
The other Lou Miami release.
"Dance with Death" makes an encore appearance which is just as well since it's worth repeating.
I'm loading up the queues and it's getting late since I wasted an entire week doing fuck all.
The A side is a fucking classic, but it's the cover of Lulu's "To Sir With Love" on the flip that got all the college airplay. Original single came in a plastic bag made to look like a Lord and Taylor one.
Later on that same year. (or maybe before. The timeline is really fuzzy. I was in High School for fuck's sake)
Lou Miami and the Kozmetics (1982)
Look, I'm not trying to tell you what to do with your life, but "Dance With Death" is a really really fucking great song. You might want to check that out.
So while I wasn't as totally productive in some senses this past week, I did accomplish two things.
I drove all the way to Wisconsin to buy another vintage guitar.
A (probably) 1969 Baldwin/Burns Split-Sound "Jazz" guitar that is a perfect match for the Baldwin "Jazz" bass I've had for a long ass time.
Both were stripped and refinished in the 70s to natural wood because that's what people did back then.
It's a shame that Jim Burns was such a failure at the business end of things because these guitars are fucking cool. (I also have a 1972 Hayman 1010 from his next failed guitar venture. It's a beast.)
Anyway, my hands are tired from playing too much.
So without further ado
Let Go of Your Bad Days (2003)
This is the follow up post about the Salteens.
I played the shit out of this when I got it a while back.
You too may do the same.
Sometimes it really does snow in fucking April.
At least it does in Minnesota.
Hopefully wherever you are, dear reader, it's full on fucking Spring and you find yourself every day with the particular dilemma where you have to decide in the morning if you're going to dress for the early morning cold and sweat on the way home or if you're going to be chilly now to be appropriately dressed for later.
It's a nice problem to have.
I mean, it was supposed to be Opening Day for baseball around here just last week but it was postponed due to snow.
The Salteens from Vancouver. That's in Canada.
This is the sunny pop you need to bop along to on a pleasant Spring day.
Enjoy the sunshine.
Plus an added bonus:
Here's a contemporary single to go with the full length that has includes a passable cover of Guided by Voices in "Motor Away" for extra credit.
So when this posts will be the day I that Robyn Hitchcock comes back to Minneapolis.
I have a ticket and I'm looking forward to it. I've seen the guy probably 30+ times since the middle of the 1980s (around "Fegmania", if I remember correctly)
If I'm lucky, I may have a chance to chat with him a bit again. He's been like this ongoing acquaintance for the last thirty years who has absolutely no memory of ever encountering me before in his life. It's actually kind of funny to imagine and even funnier when I consider that he's probably one of the longest running acquaintances I have in my entire life.
He added a second show as well the next night and although I'm very tempted to go. (He always plays a very different set on consecutive nights in the same place), but another friend's band, Annie & the Bang Bang, is playing as well and I haven't had a chance in too long to see them.
Plus I get to feel like a bon vivant flitting about on sequential nights for the rock and roll.
Anyhoo...
This falls into that nebulous area where it's labelled as an Elongated Player, but there's seven songs and it's a solid half an hour which would qualify as a feature length in another time.
Other than that, I'll just cut and paste the profile from Discogs:
"Sodastream is an Australian duo of Pete Cohen and Karl Smith, who produce songs from lo-fi to melancholic pop. They formed in 1997, ceased the project in 2007, and returned in 2013."
Blah Blah Blah
I'm really starting to wonder if my heart's even in this as much anymore.
I also hope you're all caught up on stuff on here because I deleted another gig going back to 2015 to make space for new things....
A lovely seven inch collection of the indiepop via the Silver Girl label in the middle of the 90s.
It's the very thing you didn't really know you needed today.
You're welcome.
A mere decade later Third Story put out this little seven inch with Emilyn Brodsky, the Vibration, and a personal favorite of mine, Mirah.
You needed this too.
That.
The other one by Human Television and the last thing they released.
Maybe it was the rather condescending review that they got from those pretentious arbiters of hip Pitchfork that caused them to pack it in.
I hope not. I prefer to think they were made of harder stuff and broke up because of artistic differences or somebody fucking somebody else's girlfriend like normal bands.
God, I hope so.
I realized as I was heading for the other queue that I'd screwed up my posting calendar which means that I have to throw together another couple of quickies to fill it in until I have time off again.
It's hard being me.
Human Television. Brooklyn.
Indie Rock with a bit of the old Shoegaze that the old hipsters used to groove to.
Don't break a hip.
I have to keep an eye on the time.
Cabbage Rolls in the oven and all.
I'm not trying too hard right now anyway.
I have some heartburn and a cat in my lap.
It's also April Fools Day.
This is not a prank.
It's the follow up to the previous post.
I'm not joking.
Everything I had to say I said in the previous post except that I think I gave a copy of this to a long ago ex for some reason. Probably because I thought she would like it.
I like it more than her nowadays.
But that's a whole other story.
(Besides I'm still in the throes of my particularly intense and enjoyable Robert Pollard obsession and don't need to dredge up bad memories.)
Besides the Trouser Press article linked in the previous post seems to enjoy this.
Maybe you will too.
So yeah, I've been a lazy slug this past week and only now realized I'd let the queue run dry.
But then again, I was just stuffing some cabbage rolls, so it wasn't a total wash.
Besides, I saw Guided by Voices again last Saturday and they were fucking incredible.
Three hours. Close to sixty songs. A fucking master class.
Hit almost all my personal highlights.
So I've been listening to nothing but GvB and other Bob Pollard related things for days now.
And ordered or hunted down thirty different discs going back to 2001 without making a dent in Bob's output. It's scary.
And made worse by my compulsive need to complete discographies.
I think that's why I gave up way back when...
Anyway.
Here's the Barnabys...
The Barnabys were from Philadelphia. They released a number of things on the SpinArt label, so you know it's something more indiepop based.
One former members bio page calls them "Commercial Folk Rock" (I didn't link it since that's about the only related thing I saw on the page and was too lazy to dig any deeper)
Is it apt?
I dunno. We can go with it if that's how they saw themselves.
Shinola was the brand name for a popular boot polish founded in the 19th Century.
It is also the name of this seven inch.
If you're discerning you'll be able to tell the difference.
Yeah. Here we go again.
The band is called Me.
Not exactly the best name for a group in the internet era.
But then they started with Me Fertile which while unique is not exactly an improvement.
But it's some lovely pop otherwise. Released on the SpinArt label.
The single was followed up by a full length of more of the same.
I had this on the phone for quite a long time if that helps.
I like a good pop song with some dreamy harmonizing.
So...Week off as usual. Did a fuck load of nothing in particular, but I did get out of the house to see some music this past weekend, so I have that going for me.
Played through a bunch of the "Uncharted" series on the Playstation which had been part of my original package, but which I had completely ignored for the last five or more years to play other shit. But the PS+ games this month sucked again, so I decided to just run through them. (Haven't finished it, but Uncharted 3 has been kind of the weakest of the lot so far.)
But then as I play I have flashes about how completely psychotic this stuff really is. I mean, Nathan Drake shows up someplace and just casually slaughters twenty guys at a pop with absolutely no remorse or regrets. Granted it's all self defense for the most part, but still...
It's mindless stuff though that is intended to play out like an action movie and all of that's part of the trope, but sometimes I wander around the area after an extended battle picking up extra ammo and just wonder at all the corpses littered around in the aftermath....
All of which has nothing to do with this, but it was something on my mind
No Less the Trees than the Stars (1996)
Providence, Rhode Island via Charlottesville, VA & NYC.
The stuff I most like by them is the more shoegazey stuff, but there's more gears at work on this their inaugural full length. I can honestly as I haven't sat down and played this on all the way through by itself. Currently I have other things blasting away in the room so I'm relying on hazy impressions. I think I liked a lot of what I heard and was less impressed by other bits.
I have a couple of singles that precede this though and I do believe that I will have more to say about them when I get around to them.
Some day.
Blah Blah Blah
Suitcase and Umbrella (2000)
About the onlyconcrete information I could really find about Jumprope is that they were from Boston.
Indiepop with jazzy chords.
I don't know why, but there's something about this that always make me think of the Katamari Damacy soundtrack. (Maybe it's her voice.) But then again, I have a three disc set of all the music for the Katamari games.
So there's that.
Compilation day.
I might have to add a second one or just start throwing them in the queue more randomly.
There's just way too many to keep up.
Part three of the Throbbing Lobster series of Boston bands.
This is some prime middle 80s Boston rock.
I mean, anything with a Turbines track is A-Ok by me.
Plus it has my personal favorite Classic Ruins song.
"Geraldine, I Need Money More Than I Need You" is a fucking classic.
You can quote me on that.
Full tracklist for the curious as always via Discogs.
Another one from the bin that's been sitting for a while from when I thought about making a third blog. It didn't happen.
So tonight I took all of the stuff I'd set aside for the Blog That Didn't Happen and stuffed it back into this one. So there's a big backlog of good indiepop things that need to catch up to everything else now that they've been languishing for like three years.
Let's start that process here...
I'm pretty sure I posted something by these folks a while back.
They have some tracks on a seven inch with a fuck ton of inserts of little bits of paper and a wooden ice cream spoon.
You can do a search. I don't feel up to it.
Anyway. Some top quality Indiepop to brighten your day and worm its way into your heart.